This is the second-to-last movie Hitchcock made before leaving England to make films in the United States. Hitchcock came to America and immediately made a splash. As Jack Favell talks to a police officer, Hitchcock makes a quick pass in the background.
Star Joel McRea is walking one way down the street, and here comes Hitchcock walking the other way. Now in America, Hitch has set aside the bowler hat he often wore in his British films for a more robust hat.
Unrelated to the Brad Pitt and Angelina Jolie flick, Hitchcock walks in front of a hotel for his cmeo here. What is he mailing? Is Hitchcock walking a horse across the frame early in the movie?
Perhaps, but would he do two cameos in one film? Neither really shows his face, to be fair. This is one of the iconic Hitchcock cameos mostly because of the logistics of it. After all, this is a film about a group of people stranded on a lifeboat. How could Hitch finagle himself in? Why by having himself appear in an ad in a newspaper. Hitchcock can be seen in the before-and-after photos for Reduco Obesity Slayer.
Sometimes when you are waiting for an elevator, you have seen a bunch of people pouring out of it when it reaches you. He comes out of the elevator carrying a violin case before quickly disappearing. A crowded elevator is an easy place for a cameo. So is a lavish party. He managed to pull it off, though.
There are those who say Hitchcock and a woman are walking down the street in the opening credits. Did you know Hitch did a movie set in Australia?
The timings shown are approximate and may vary. It all started with the shortage of extras in my first picture. I was in for a few seconds as an editor with my back to the cameras. It wasn't really much, but I played it to the hilt. Psycho Wearing a large cowboy hat and discreetly viewed through Marion Crane's Janet Leigh realtors' office store-front window, loitering or standing on the sidewalk, as she returns to her Phoenix real estate company after a lunchtime quickie in a cheap hotel with lover Sam Loomis John Gavin.
North by Northwest At the end of the opening title credits sequence in a bustling NYC, missing a city bus green and yellow that slams its door in his face, anticipating a similar scene later in the countryside near a cornfield when a bus door shuts on Roger O. Thornhill Cary Grant. Vertigo In a gray suit walking from left to right across the street past the entrance to Gavin Elster's Tom Helmore Mission District shipyard and office in San Francisco, in front of columns and a newspaper rack, carrying a horn or trumpet case.
The Wrong Man Narration Only - Not a True Cameo Hitchcock in silhouette narrates the film's prologue and introduces the film's true story before the credits appear. Not a traditional cameo, but this was the sole time Hitchcock actually spoke in any of his feature films. Beginning of film - 1 minute. Hitchcock was the balding man on the left side of the frame with his back to the camera watching a troupe of acrobats in the crowded outdoor French Moroccan Marrakesh marketplace next to the McKennas, just before the murder of Louis Bernard Daniel Gelin.
The Trouble With Harry To Catch a Thief Staring straight ahead and sitting motionless to the left of John Robie Cary Grant in the rear-seat of a bus as a passenger, revealed as the camera slightly panned to the right.
All the Cameos Here it is, the big list of when and where Hitchcock makes his appearances in his films. Collaborators Hitchcock films are filled with great collaborators, from actresses like Ingrid Bergman to composers like Bernard Herrmann. Essays Hitchcock was a great entertainer and at the same time had a lot to say about life, art and humanity.
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